He then performed “You Are My Sunshine” in his newly discovered falsetto at a local talent show.įurthermore, he began performing at amateur dance club nights under various aliases, including Texarkana Tex, Vernon Castle, and Emmett Swink. Moreover, he described discovering his ability to sing, in an interview on The Tonight Show.īy the early 1950s, he had got a job as a messenger at Metro-Goldwyn-Mayer Studios’ New York office, where he became increasingly fascinated with the entertainment industry. He later began playing the mandolin and the ukulele, which became his signature instrument. Moving on to his career, he began learning to play the violin at the age of 11 and enjoyed performing at home for his parent’s enjoyment. Additionally, he has also worked very hard since his childhood to achieve this fame. However, his weekly and monthly wages are unknown. Similarly, his source of income was mainly his singing profession. You’ll have to leave now.Tim had an estimated net worth of around $2 million and his annual salary was $150k. In my case, a phone-call to his room was followed by him saying, “That’s a young woman I met who’s coming up to see me. We hear about a gay experience as a young man, which preceded a lifetime of awkwardly aggressive expressions of his heterosexuality (An erstwhile Tiny Tim fan-club president talks about his strange attempt at hitting on her. (It’s not mentioned in the film, but Wavy Gravy had Tiny play at his famed commune The Hog Farm, where, I was told, attendee Charles Manson professed himself to be a fan). We meet counter-culture activist and clown Wavy Gravy, who “discovered” Tiny in New York and brokered his introduction to L.A. We see the marriage on Johnny Carson’s show - at the time, the second-most watched event on television after the moon landing.
We even meet Tulip (now Tulip Stewart), the daughter from his marriage to Miss Vicki, who has a wry take on her one-degree separation from fame. But it is a pretty good tiptoe through Tiny’s travels. Though he told good stories, I never figured out Tiny Tim in several sit-downs and chats, and neither does this documentary.
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There are meaningless platitudes offered by writer Martin Daniel about his place in cultural history, how he transcended politics and ethnicity, offering silliness as a balm for a troubled and divided America.Īs for ethnicity, tell that to the mostly Lebanese cab drivers who scrummed him at the airport, excited at meeting a Lebanese-American celebrity.Īnd as much as the androgynous Tiny Tim was right for the late ‘60s, his act and image stretched back to the ‘50s, when simply being weird was arguably a political act, inviting scorn from “normal” people. All we get is that he had a fairly defined vision of wanting to be famous, to be somebody. There are few motivations offered or attempts at psychological insight in Tiny Tim – King For A Day. What was the significance of this? Was it a “shtick?” An affectation? Did it somehow reflect his unsettled, troubled childhood?
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